
Events
Explore our upcoming events, take part, and be inspired.
Climate, Water, Life and Land – Resilient Communities in East Africa
Showing Friday 21 March
Director: Sally Bashford-Squires
A Documentary Film Exploring Community, Togetherness and Change in Rural Uganda. Eitai is a powerfully moving documentary that delves into the challenges faced by a rural community in North-Eastern Uganda. Filmed in Teso and co-produced with celebrated Masai filmmaker Sonyanga Weblan, Eitai—an Ateso word for "community togetherness"—is based on doctoral research conducted by Sally Bashford-Squires, a PhD graduate of Nottingham Trent University. The documentary explores critical global issues, including the interconnected challenges of climate change, poverty, alcoholism, and gender-based violence (GBV). It highlights how social enterprise projects not only provide economic opportunities but also create safe spaces for knowledge sharing, environmental action through tree planting, and community sensitisation via music, drama, and dance. Through vivid storytelling, Eitai underscores the importance of indigenous knowledge and communitarianism in addressing pressing global crises. It calls for stronger relationships among people, the land, and non-humans to mitigate further environmental degradation. The film also captures unique narratives on combating HIV and GBV, as told by participants through their lived experiences and cultural expressions.
Sally Bashford-Squires, formally an Assistant Head Teacher of a Nottinghamshire Infant School, now lectures in Public Health at The University of Greenwich. She recently completed her PhD in critical public health from Nottingham Trent University. Her doctorate explored how social enterprise projects impact on women's health in Teso, Uganda. Sally is also Chair and founder of a Nottingham Registered Charity called 'The Mustard Seed Project - Uganda' which supports the social enterprise projects featured in the documentary.
Sonyanga Weblan holds a Master's Degree in Media and Globalisation from Nottingham Trent University. He is part of the Maasai community from Kenya and star of the award- winning film 'Warriors' which follows the story of how Sonyanga and his peers used cricket as a leverage for ending female genital mutilation in his community. Sonyanga has continued to work to end FGM through sport and community sensitisation projects and his work has been celebrated by the United Nations. Sonyanga currently works as a freelance film maker in Kenya, capturing issues that impact on his communities.
More information on Sally's charity: www.mustardseedprojectuganda.com
Motherload + Q&A
Showing Tuesday 25 March
An award-winning documentary that uses the cargo bike as the vehicle for exploring parenthood in this digital age of climate change.
Motherload is a crowdsourced documentary about a new mom's quest to understand and promote the cargo bike movement in a gas-powered, digital and divided world. As Liz explores the burgeoning global movement to replace cars with purpose-built bikes, she learns about the bicycle's history and potential future as the ultimate "social revolutioniser." Her experiences as a cyclist, as a mother, and in discovering the cargo bike world, teach Liz that sustainability is not necessarily about compromise and sacrifice and there are few things more empowering, in an age of consumption, than the ability to create everything from what seems to be nothing. Motherload features unconventional production methods (including crowdsourcing from non-filmmakers), genre-bending storytelling (experimental/personal/doc), and themes of movement-building, activism and courage to "go against the grain."
This screening is organised by Women in Tandem, a women-led, Nottingham-based bike collective committed to breaking down barriers and creating spaces for women to thrive and opportunities to access cycling. Join us for the discussion after the film!
The Wicker Man
Showing Thursday 3 April
This is a screening by Jackie Treehorn Productions, an independent film club showcasing a large variety of films throughout Nottingham.
A puritan Police Sergeant is sent to a Scottish island village in search of a missing girl who the townsfolk claim never existed; stranger still are the pagan rites that take place there.
It'll Never Work
Showing Friday 4 April
The film follows the real-life struggle of converting the UK’s first fishing boat to solar and electric power to fish at a competitive and commercial level.
It's set on Scotland’s West coast in the scenic and alluring Argyll village of Tayvallich. Over the course of almost a year it runs with the highs, lows and challenges related to the venture as well as the determination and skillset of the builder and skipper.
The young local director Joe Osborn has skilfully engrained the seasonal moods, the strong local community spirit and the Argyll way of doing things into a compelling story of our times. One fisherman’s conviction towards the carbon free future we all need to embrace. A small film, but a powerful one.
Find out more about their story at
https://itllneverwork.boats/our-story/our-story
Mammoth Mending Workshop
Taking Place from Sunday 13 April
Lost in Translation
Showing Thursday 17 April
This is a screening by Jackie Treehorn Productions, an independent film club showcasing a large variety of films throughout Nottingham.
An American actor Bob, lands in Tokyo for an ad film and ends up meeting Charlotte, who's left behind by her photographer husband. Gradually, the two discover a friend within each other.
Little Otik
Showing Thursday 24 April
This is a screening by Porlock Press, an independent Nottingham-based film club showing a wide range of cult film, with a focus on animation of all kinds.
A young couple resort to extreme and unconventional measures to bring a ‘child’ into their lives, with bizarre and deadly consequences! Director Jan Švankmajer blends live action and stop-motion animation to great effect in this absurd and darkly comic story, inspired by the Czech fairy tale Otesánek.
"Rivals The Exorcist, Rosemary's Baby, and Eraserhead as a disturbing treatise on the fear of parenthood.” - The New York Times